Rosalind AtkinsConsidering the tree2020engraving; edition 1/8Courtesy of the artist and Australian Galleries, Melbourne

Rosalind Atkins
Considering the tree 2020
engraving; edition 1/8
Courtesy of the artist and Australian Galleries, Melbourne

Rosalind AtkinsConsidering the tree2020engraving; edition 1/8Courtesy of the artist and Australian Galleries, Melbourne

Rosalind Atkins
Considering the tree 2020
engraving; edition 1/8
Courtesy of the artist and Australian Galleries, Melbourne

Rosalind AtkinsConsidering the tree2020engraving; edition 1/8Courtesy of the artist and Australian Galleries, Melbourne

Rosalind Atkins
Considering the tree 2020
engraving; edition 1/8
Courtesy of the artist and Australian Galleries, Melbourne

Rosalind AtkinsConsidering the tree2020engraving; edition 1/8Courtesy of the artist and Australian Galleries, Melbourne

Rosalind Atkins
Considering the tree 2020
engraving; edition 1/8
Courtesy of the artist and Australian Galleries, Melbourne

Rosalind Atkins

Considering the tree 2020
engraving; edition 1/8
Courtesy of the artist and Australian Galleries, Melbourne

Artist statement:

Considering the tree was made during Melbourne’s 2020 lockdown, and while it specifically represents a Sydney Blue Gum (Eucalyptus saligna) growing within 5 kilometres of my home, considering trees is also what I spent much of my time doing. Engraved over many months, this work is a continuation of my practice, and my dedication over many years to my relationship with the tree.

The title pays homage to Martin Buber’s dialogic relationship with animate beings expressed by a mutual encounter with a tree in I and Thou, 2004.

Geelong Gallery acknowledges the Traditional Owners of the lands on which the Gallery and its collections are located, the Wadawurrung People of the Kulin Nation. We pay our respects to all Elders, past, present and emerging.