Statement:

Lines carved into lino like ink into skin, this work explores the use of tattoos as a form of autoethnography. The artist uses semiotics and symbols to create a visual narrative.

Drawing comparison with prison tattoos, Armstrong-Porter highlights institutionalisation in the Australian Public Mental Health system. Cathedrals and Kremlins are tattooed onto prisoners’ bodies to indicate time spent incarcerated. In this case, a Melbourne Pub has replaced the church as a public institution. Symbols surrounding the central landmark talk about sobriety, relationships, and the importance of the third place. The swallow tattoo traditionally symbolises a safe return home and speaks of freedom.