Cleo WilkinsonThen IV2020mezzotint; edition 15/40Courtesy of the artist

Cleo Wilkinson
Then IV 2020
mezzotint; edition 15/40
Courtesy of the artist

Cleo WilkinsonThen IV2020mezzotint; edition 15/40Courtesy of the artist

Cleo Wilkinson
Then IV 2020
mezzotint; edition 15/40
Courtesy of the artist

Cleo WilkinsonThen IV2020mezzotint; edition 15/40Courtesy of the artist

Cleo Wilkinson
Then IV 2020
mezzotint; edition 15/40
Courtesy of the artist

Cleo WilkinsonThen IV2020mezzotint; edition 15/40Courtesy of the artist

Cleo Wilkinson
Then IV 2020
mezzotint; edition 15/40
Courtesy of the artist

Cleo Wilkinson

Then IV 2020
mezzotint; edition 15/40
Courtesy of the artist

Artist statement:

I try to emphasise the singularity and silence of a form: what is missing in the shadows provides the greatest potential for me. I love nursing an image into life, in the form of light out of its pitch-black womb. The process has a primordial spiritual magic. The mezzotint technique and tools have remained relatively unchanged for 300 years. The small teeth of a metal tool called a rocker create tiny burrs that hold ink during the printing process. Working from dark to light the rocked areas will produce a rich black, with the image emerging from areas that have been burnished back so as not to hold ink and create lighter tones. The mezzotint process produces an image with a high level of tonal richness.

Geelong Gallery acknowledges the Traditional Owners of the lands on which the Gallery and its collections are located, the Wadawurrung People of the Kulin Nation. We pay our respects to all Elders, past, present and emerging.