FRONT:Alice WormaldGarland 2021oil on front and back of glass, freestanding frame with acrylic feetCourtesy of the artist and Daine Singer, Naarm/Melbourne© the artist

FRONT:
Alice Wormald
Garland 2021
oil on front and back of glass, freestanding frame with acrylic feet
Courtesy of the artist and Daine Singer, Naarm/Melbourne
© the artist

FRONT:Alice WormaldGarland 2021oil on front and back of glass, freestanding frame with acrylic feetCourtesy of the artist and Daine Singer, Naarm/Melbourne© the artist

FRONT:
Alice Wormald
Garland 2021
oil on front and back of glass, freestanding frame with acrylic feet
Courtesy of the artist and Daine Singer, Naarm/Melbourne
© the artist

BACK:Alice WormaldGarland2021oil on front and back of glass, freestanding frame with acrylic feetCourtesy of the artist and Daine Singer, Naarm/Melbourne© the artist

BACK:
Alice Wormald
Garland 2021
oil on front and back of glass, freestanding frame with acrylic feet
Courtesy of the artist and Daine Singer, Naarm/Melbourne
© the artist

BACK:Alice WormaldGarland2021oil on front and back of glass, freestanding frame with acrylic feetCourtesy of the artist and Daine Singer, Naarm/Melbourne© the artist

BACK:
Alice Wormald
Garland 2021
oil on front and back of glass, freestanding frame with acrylic feet
Courtesy of the artist and Daine Singer, Naarm/Melbourne
© the artist

Alice Wormald

Australian, born 1987; lives and works in Naarm/Melbourne

Garland 2021
oil on front and back of glass, freestanding frame with acrylic feet
Courtesy of the artist and Daine Singer, Naarm/Melbourne

Artist statement:

I made Garland as part of a group of double-sided paintings on glass depicting three-dimensional arrangements of paper, cardboard and found images. In creating these works I first crafted sculptural pop-out constructions of paper and cardboard, which feature collaged imagery sourced from homemaking and handicraft books. I used these constructions as models for my paintings.

When making the painting I was guided by the light, depth, colour and form created by the paper sculptures that I was using. I am interested in form, perception and domestic crafts and how they play into the process of image making. The practice of pasting, folding and crafting the sculptural models from makeshift materials imbues them with a handmade quality, and I wanted to honour this through the process of painting.

Geelong Gallery acknowledges the Traditional Owners of the lands on which the Gallery and its collections are located, the Wadawurrung People of the Kulin Nation. We pay our respects to all Elders, past, present and emerging.